Laura J Marlin bustled on to the stage with an awkward shyness, this continued throughout the set, something I found endearing. As you may be able to see from the above (terrible) picture, she's a flautist, and very talented she is too. Managing to record loops of herself with foot pedals, building up a clever, choppy, aggressive flute medley. In addition to this, she had an accompanying cellist and the obligatory drummer - he was only involved occasionally, a nice change from the normally loud and bangy bands I tend to watch. Charming and Scouse, with a range of songs in both tempo and style, she reminded me of Regina Spektor (apart from the Scouse part), this might be a rather lazy comparison that will often be made, but if the shoe fits. Indeed, it reminded me of a gig I once saw at the Leadmill up in Sheffield where the audience was deathly quiet. The same atmosphere was in evidence here, you could here a pin drop. Simon and I were both very impressed with young Laura. I'll be looking out for again, perhaps on the festival circuit later this year.
Tuesday, 28 January 2014
Week 2: Laura J Martin - The Sebright Arms, Hackney
So, on to the next gig. This time at one of my favourite venues, The Sebright Arms. I think it's because of the range of beers that I like The Sebright rather than for it being a great venue. It does have a bar downstairs though, it saves a walk upstairs and is the reason why I woke up the next day with a steaming hangover.
The support band for Laura were Left With Pictures. Involving lots of lads (five) on a small stage. I was instantly impressed by their range of instruments: two guitarists, a bassist, a drummer and a chap hidden at the back playing a violin, as a violinist in my younger days, this fact instantly tugged at my heart-strings. Later in the set the guitarists moved between mouth organ and keyboards, swapping instruments and generally giving a warm sound. The two guitarists took turns to lead the singing - one sounding like Paul Smith of Maximo Park (or so Simon thought), the other sounding more like Ben Folds. They played what I would describe as 'cowboy-folk' with a mischievous Belle & Sebastian, plinky-plonky edge. Their quality was already much above the gig of last week and left me looking forward to Laura.
Laura J Marlin bustled on to the stage with an awkward shyness, this continued throughout the set, something I found endearing. As you may be able to see from the above (terrible) picture, she's a flautist, and very talented she is too. Managing to record loops of herself with foot pedals, building up a clever, choppy, aggressive flute medley. In addition to this, she had an accompanying cellist and the obligatory drummer - he was only involved occasionally, a nice change from the normally loud and bangy bands I tend to watch. Charming and Scouse, with a range of songs in both tempo and style, she reminded me of Regina Spektor (apart from the Scouse part), this might be a rather lazy comparison that will often be made, but if the shoe fits. Indeed, it reminded me of a gig I once saw at the Leadmill up in Sheffield where the audience was deathly quiet. The same atmosphere was in evidence here, you could here a pin drop. Simon and I were both very impressed with young Laura. I'll be looking out for again, perhaps on the festival circuit later this year.
Laura J Marlin bustled on to the stage with an awkward shyness, this continued throughout the set, something I found endearing. As you may be able to see from the above (terrible) picture, she's a flautist, and very talented she is too. Managing to record loops of herself with foot pedals, building up a clever, choppy, aggressive flute medley. In addition to this, she had an accompanying cellist and the obligatory drummer - he was only involved occasionally, a nice change from the normally loud and bangy bands I tend to watch. Charming and Scouse, with a range of songs in both tempo and style, she reminded me of Regina Spektor (apart from the Scouse part), this might be a rather lazy comparison that will often be made, but if the shoe fits. Indeed, it reminded me of a gig I once saw at the Leadmill up in Sheffield where the audience was deathly quiet. The same atmosphere was in evidence here, you could here a pin drop. Simon and I were both very impressed with young Laura. I'll be looking out for again, perhaps on the festival circuit later this year.
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